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Mona calls off the dogs. They rise unwillingly, and, walking into a distant corner, sit there, as though still awaiting a chance of taking some active part in the coming fray. After which Mona, in a few words, explains the situation to Geoffrey.,

"From the Louvre. They are in Paris.",

"The dogs gave me courage. And was it not well I did bring them? How strange that I should have wished for them so strongly to-night! That time when he drew out the dagger!—my heart failed me then, and but for Spice what would have been the end of it?" She shudders. "And yet," she says, with sudden passion, "even then I knew what I should have done. I had his pistol. I myself would have shot him, if the worst came to the worst. Oh, to think that that man may yet reign here in this dear old house, and supplant Nicholas!",

CHAPTER XXII.

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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,

"Very different," says Rodney.,

"My dear, what I could do, I have done," says the little man, patting her hand in his kind fatherly fashion; "but he has gone beyond human skill. And now one thing: you have come here, I know, with the tender thought of soothing his last hours: therefore I entreat you to be calm and very quiet. Emotion will only distress him, and, if you feel too nervous, you know—perhaps—eh?",

Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature."